We made 2 clips for the same song, using footage from the same shoot. But – without seeing each other’s versions. V2 is coming soon – will it be similar or totally different? You’ll have to wait and see ..there’s a lot of footage to edit into 4 minutes. In the meantime enjoy: Rules Of Attraction [V1]

It’s been 10 years since we released our last EP, 2005’s Delusions of Grandchildren.

We’re not sure why, but it just took that long for us to decide to pick up the baton again and keep running. The main reason is that the wonderful people at Poison City Records have taken such an interest in us, and done such a great job on the back catalogue re-releases. It gave us a bit of faith again, and it feels right.

Video shot and edited by Kellie. The single will be digitally available across all platforms on November 25th.

Please enjoy our 3 new songs!

“..Tim and Kellie began writing together, birthing small snippets, recording on phones and re-listening on car stereos. Over time, fully formed songs started to appear. Among them, ‘Alone In A Crowd’.

Lyrically taking shape from a conversation between Tim and Kellie, the pair drew from reflection and isolation. “It was an observation around going out. The tension and anxiety around knowing everyone in the room, but still feeling a little lost at times. It’s pretty universal, really. Nothing specific, just a rumination on how most people feel in the modern world and the anxiety around being a social creature,” Kellie explains.

‘Alone In A Crowd’ is the first new material from Screamfeeder in ten years. The single will be proudly released through Poison City, offering a taste of their forthcoming album, set for release mid-2016..“

Poison City Records are proud to announce the vinyl re-release of Rocks On The Soul – on November 25th, the fifth instalment in their Screamfeeder re-issue series which started in 2014.

Pre-Order Rocks on the Soul Vinyl & Merch from Poison City Records here

“Whether you want the depravity of the post-punk noise, the sweetness of a soothing pop song, or something in between, on Rocks on the Soul they deliver. I’ll give this an A-“. (In Music We Trust)

Throughout the 1990’s, Australian music in the post-grunge area exploded in popularity, fuelled by the excitement of the new punk DIY ethos and the sheer excitement of independent, non-corporate bands making thrilling new sounds. Screamfeeder rode that surging wave, producing four acclaimed albums, enjoying significant airplay and touring relentlessly. Things were looking pretty good.

But by 1999 Screamfeeder found themselves backed into a corner by their American record label at the time, being legally prevented from recording a follow-up album to their 1996 smash Kitten Licks. The covers EP Home Age had filled the gap, but the band were sitting on an ever-increasing pile of diverse new songs. In the end, they found a way to opt out of the disastrous contract and arrangements were promptly made for a recording session in the winter of 2000.

The studio and producers were an odd choice, a discreet office location in Melbourne’s South Yarra owned by electronic duo The Pound System. It turned out to be perfect – Woody and The Rev could hear new potential for the band’s trademark male-female vocal interplay, sweet yet bruising guitar lines and never-sitting-still song structures. Together the team proceeded to deconstruct Screamfeeder’s approach while exploring the possibilities offered by the then- new Pro Tools digital recording platform.

It was a bold move; it would have been too easy to make ‘Kitten Licks II’, but instead the band turned a sharp corner and produced a quite-unexpected album. The songs are sprawling and hyper-melodic, layered, edited and experimented with. Vocals are lush and the melodies emphasised, drum beats are looped and hypnotic. This was the sound of a band confident enough with their songs that it didn’t matter the sonic tangents they took off on.

“…At the time, it sounded like it was too good for a band from Brisbane, which is never true — of anywhere — but that’s how Screamfeeder made me feel. I was excited by it. It was probably the last time I felt truly shocked by what a Brisbane band was capable of. Now everyone knows.” (Ian Rogers)

The album alienated some of the more change-resistant fan base, while engaging with a whole new one, who were captivated by Kellie’s epic Stopless, or the quasi space-age Above The Dove. Tim came up with the album title, a play on The Isley Bros ‘60s LP Soul on the Rocks.  Dean explored the local area and added his field recordings to some of the songs, notably If You Lived Here.

Finally released in October 2000 through Shock Records, the album was a masterful return to form, showcasing a set of songs that quite clearly raised the bar, from the first notes of masterpiece Stopless to the emotive closer, Close Again. If there’d been any doubt about the band’s ability to survive the industry travails, Rocks On The Soul proved them all wrong.

And here we are in 2015. Exactly 15 years later and Rocks On The Soul remains a pre-shoegaze-comeback gem. The songs and ideas are at once confident and assured, but never cocky, with Screamfeeder’s naiveté and wide-eyed wonder and love of the music they were creating shining through.

Rocks On The Soul / Poison City Records / November 25th 2015

Pre-Order Rocks on the Soul Vinyl & Merch from Poison City Records here

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